Taken from the episode "The Shakespeare Code. But his life is shrouded in mystery. As revealed in Doctor Who Adventures issue 30, this episode had the working title of "Loves Labour's Won". Other sequences include subtle references to much earlier episodes. [3][4] Roberts added that although early draft of "The Shakespeare Code" contained "a sly reference to City of Death", it was removed because "it was so sly it would have been a bit confusing for fans that recognised it and baffled the bejesus out of everyone else. There, he wonders why the theatre is tetradecagal. She tells them to calm down and chant with her, adding hair she secretly took from Lynley to a doll; it is now a voodoo doll. Charles Palmer This has a sequel in Ian Potter's short story Apocrypha Bipedium in Short Trips: Companions, which concerns the young Shakespeare's anachronistic meeting with some of the characters he will later portray in Troilus and Cressida. The Doctor claims Martha comes from Freedonia, a fictional country in the Marx Brothers film Duck Soup - it was also used as the name of a planet in the Doctor Who novel Warmonger (2002) by Terrance Dicks. 1x45 minute Episode Producer Russell T Davies and screenwriter Gareth Roberts have both stated that they were aware of these past references to meeting Shakespeare, but that they would neither be mentioned nor contradicted in the episode. Historically, a reference to Love's Labour's Won (in Francis Meres's Palladis Tamia, Wits Treasury, 1598) predates the construction of the Globe Theatre (1599). The Doctor explains that Shakespeare fell into depression after his son's death. The Doctor jokes, "London never changes". With the new TV series, Roberts again produced a tie-in novel (Only Human, 2005) and then various smaller jobs for the TV show, including the "Attack of the Graske" digital television interactive mini-episode and the TARDISODEs. However, Martha gleefully and sarcastically retorts that she would get sectioned. He then notes Martha looks at the Doctor like she's surprised that he even exists. Lilith notes the Doctor was at the inn with Shakespeare and smells of something new. The Doctor knows of the lost play as it appears in the listing of Shakespeare's works, but the play itself is non-existent. Shakespeare is being bewitched by three witch-like Carrionites to rewrite the ending to his play Love's Labour's Won so that the performance will create the right words to free the rest of the Carrionite race from imprisonment. She approaches seductively, which the Doctor says definitely won't work on him, and then quickly cuts a lock of his hair. In 16th century London, a nymph, Lilith, is serenaded from her balcony by a lute-playing swain, Wiggins. His actors think Will's being a critic about his own work. Production code: When questioned as to the whereabouts of Peter Streete, Shakespeare says that he was admitted to Bedlam. The Shakespeare Code by Virginia M. Fellows, recently deciphered codes within the works of Shakespeare reveal the true story of Francis Bacon as the rightful heir of Queen Elizabeth I of England. Shakespeare's head still hurts, so the Doctor hands him the stereotypical Shakespeare collar to use as a neck brace. Shakespeare then remembers Peter Streete spoke of witches; he was the architect for the Globe Theatre. DOCTOR WHO, SERIES 3 EPISODE 2 - THE SHAKESPEARE CODE First screened, Saturday, 7th April, 2007 on BBC One. Lilith credits the Carrionites' escape from the Eternals' banishment to 'new...glittering' words. Stage Fright British Shakespearean scholar Robert Crumpton embarks on a mission to prove he is spectacularly wrong. Insulted, Lynley declares that this slight means he will ensure the play will never be performed, even if it's the last thing he does; he will return to his office for a banning order. Norwegian researcher Petter Amundsen claims to have deciphered a secret code hidden in legendary playwright William Shakespeare's works that reveals a map leading to the location of certain treasures. "Good thing I'm here," the Doctor quips. There are several references to the paradoxes of time travel. The Doctor deduces both their location and the year: near the Globe Theatre in 1599. This is a reference to the enigmatic female character in Shakespeare's Sonnets, although Sonnet 18 is in fact one of those addressed to a male character, the Fair Youth. They find the architect, Peter Streete, in a catatonic state. The Doctor goes on about how much he admires Shakespeare's genius. This shocks the Doctor as he has yet to meet her, but comments that he is looking forward to finding out what he will do to offend her. It included the first televised appearance of William Shakespeare since a cameo in 1965's The Chase. 180 Report Broken Documentary. In the morning, the Doctor, Martha and Shakespeare proceed to the Globe Theatre, and the Doctor asks why the theatre has 14 sides. Lilith's name is only said once throughout the whole episode. [6], There are several references to races from earlier Doctor Who episodes. The planet Rexel 4 is named in an episode of The Tomorrow People from 1974. As a reward for her help with the Plasmavore, Martha Jones gets a trip in the TARDIS. Meanwhile, Lilith entrances Shakespeare and, using a marionette, compels him to write a strange concluding paragraph to Love's Labour's Won. Tell him the Queen declares, `` witchcraft '', apologising are based on the 14 walls of play! 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